You need something nuanced yet epic, and with the quality of a symphonic Rachel Portman.
Also, it needs to be licensed commercially. Oh, and did you mention you’re on a super tight budget? Familiar with this quandary, filmmaker Ira Belsky co-founded Art-List, a new subscription-based music licensing platform for independent filmmakers, offering you all the music you want for a yearly flat fee.
Catering to the world of independent filmmakers constantly in need of music that’s neither too MIDI nor too expensive, the subscription idea behind the Art-List sounds pretty enticing. Instead of a licensing fee per song, there is a yearly fee of $199 that gives get unlimited access to everything in the Art-List catalogue, which as of right now has around 1000 songs.
Considering you can often pay $100 to license a single high quality song, this could be a great resource. And having a subscription based model with no restrictions on how (and how often) you can use the tracks is a winning proposition for video professionals who are regularly producing content that needs music.
Every artist should take a full inventory of themselves and their image, and then figure out how to monetize it.
They are missing huge opportunities if they don’t engage with the brands they love publicly, no matter how indie those brands might be.
In fact, indie brands are probably better — it’s a heck of a lot harder to strike a deal with Budwieser than it is to do something cool with a local brewery, and it feels more authentic in the end. It won’t pay the big bucks, but it’s a nice supplemental income and benefits all parties involved. If you’re an artist with great fashion sense, pair up with local indie designers and get some affiliate deals going.
Like food and have a particular take a cuisine — there are already a ton of those shows, but maybe a fresh spin will draw people in.Making interesting video content available serves all potential audiences — super fans will subscribe and consume everything, and casual fans can engage in a different way. The audio simply isn’t enough anymore — the video needs to be a key component of any artist’s career as well.
SoundCloud’s disappearance would create a powerful ripple effect across the world of recorded music. The most immediate consequence would be the loss of a massive chunk of the world’s independent music available online.
And though there are other sites, most notably Bandcamp, that let anyone upload their music instantly for no fee, they neither have the user base nor the social media aspect that SoundCloud has to develop fans and sales. In fact, many SoundCloud users employ them in tandem, using Bandcamp as a store to sell collections of music, rather than a place to share their latest tracks one-by-one.
Where Bandcamp is the independent music store du jour, SoundCloud is its promoter, employed by musicians to drive awareness and sales.
Source: Digital Trends
Kamcord, the Y Combinator startup that wants to do to mobile what streaming service Twitch has done to console and PC gaming, has rolled out an important update after it began allowing its most prominent broadcasters to make money on its service.
Twitch, which streamers more video to users per month than even YouTube, grew into a beast that Amazon bought for just shy of $1 billion. The e-commerce firm had to beat off competition from Google, which is working to develop its own game-streaming service, too. While both are focused on desktop PC and console gamers, Kamcord is fixing its gaze on mobile, and mobile only.
Independent artists on TuneCore earned over $142 million in 2015, a 7% increase from 2014. TuneCore artists also earned $36.8 million from digital streams and downloads alone in Q4 2015.Publishing revenue for TuneCore artists was up 47% in 2015 and sync revenue up 57%, with placements in major feature films and network TV shows.
Since its inception in 2006, TuneCore artists have earned more than $648 million collectively.
Source: Music Week