The Open Music Initiative (OMI) of the Berklee College of Music’s Institute for Creative Entrepreneurship (BerkleeICE), today announced an impressive list of 80 new members, including Dubset, Napster, Red Bull, The Orchard, Sonos, SoundExchange, Viacom, GMR Marketing, 7 Digital and performing rights societies SOCAN (Canada) and BUMA (Netherlands).
That brings total industry membership in ICE to 140 including Universal Media Group, Sony Music Entertainment, Warner Music Group, Intel, Spotify, Netflix, SiriusXM, YouTube, SoundCloud, Pandora and Netflix.
The Open Music Initiative (OMI) this week unveiled a new partnership with Intel to make the chip giant’s Sawtooth Lake blockchain technology as a reference platform for the open-source rights data architecture.
Under the arrangement, Sawtooth is expected to become a foundational platform for reference implementations of OMI’s protocols and APIs.
The Open Music Initiative (OMI), an initiative of the Berklee College of Music’s Institute for Creative Entrepreneurship (BerkleeICE), today announced that it has selected Intel’s open source blockchain technology, Sawtooth Lake, as its reference platform open source ledger for tracking, managing and protecting use of creators and rights holders’ intellectual property. Blockchain is the tamper-proof ledger that is increasingly being used to secure and verify a variety of digital transactions, including the distribution of music files.
Among the approaches being considered, OMI will employ Sawtooth Lake as a foundational technology for the reference implementation to share OMI’s application programming interfaces (APIs) and protocols. OMI’s open source ledger will facilitate transparency and seamless payment flows within the industry.
Guest post: Last week at the terrific inaugural RightsTech Summit, a wide range of very knowledgeable people came together to discuss the current state of digital rights management, and more importantly, the direction that new technologies are taking this field.
If I had to sum up the common themes from the event in two words, they would be: Metadata and Standardization.
Figuring out if, how much, and which metadata about digital assets – such as a song, or an e-book – can be shared, especially among companies with different goals and interests, was one sub-theme. Also discussed was the right mix of technologies to facilitate sharing and tracking of metadata; of course, blockchain technology was a key topic of discussion. But we also covered other distributed technologies that address not just the management of the metadata, but also of the underlying content.
Something that struck me was the extent to which there was agreement among participants — ranging from start-ups to established industry players — that many of the best new use cases being proposed for the “rightstech” industries depend on contracts for digital assets being standardized and simplified, and ultimately rendered in machine-readable code. Continue reading “Making the Creative Commons Smarter”
With this week’s announcement of the Open Music Initiative (OMI), the music industry is once again embarking on an effort to solve a problem that has long-vexed the business, but particularly since the rise of streaming services: the lack of a shared, secure and trusted way of knowing who owns what and what they’re owed for the use of their music.
Spearheaded by the Berklee College of Music’s Institute for Creative Entrepreneurship (BerkleeICE), along with the MIT Media Lab, brings together a wide range of music industry stakeholders, including the major record companies, music publishers, streaming services, rights organizations, artists representatives and technology developers, among others, to develop a technical framework for data exchange that will enable interoperability of systems and services throughout the music rights ecosystem.
“It’s not a secret that the infrastructure of the music industry, especially the one around creative rights, has not evolved to accommodate for the ways that music is being created and consumed today,” BerkleeICE founding managing director Panos Panay said in a statement. “We want to use the brainpower, neutrality and convening ability of our collective academic institutions, along with broad industry collaboration, to create a shared digital architecture for the modern music business. We believe an open sourced platform around creative rights can yield an innovation dividend for creators and rights holders alike.”
Another key objective of OMI is to avoid the mistakes and pitfalls that have sank previous industry efforts to establish a standardized rights-management infrastructure, such as the Secure Digital Music Initiative (SDMI) and the Global Repertoire Database (GRD).
Berklee College of Music’s Institute for Creative Entrepreneurship (BerkleeICE) today announced an ambitious Open Music Initiative (OMI) designed to simplify the way that music creators and rights owners are identified and compensated. It will combine BerkleeICE’s expertise in the music industry with the MIT Media Lab’s expertise in decentralized platforms to to develop an open source framework for music rights and their associated uses in all media forms.
In layman’s terms, OMI doesn’t want to create a centralized database of music; but rather a standardized way of tagging and identifying music and rightsholders so that various databases can communicate with each other and verify information. Better tracking means more money for artists, labels and publishers.
Berklee College of Music’s Institute for Creative Entrepreneurship (BerkleeICE) announced today a groundbreaking initiative called The Open Music Initiative (OMI) to dramatically simplify the way that music creators and rights owners are identified and compensated – a thorny issue that has challenged the music industry and stifled creator incomes and industry revenues since the dawn of the digital era. The effort will combine BerkleeICE’s expertise in the music industry with the MIT Media Lab’s expertise in decentralized platforms to help advance the development of open source frameworks and innovation related to music rights and their associated uses in all media forms.
In addition to BerkleeICE and researchers from the MIT Media Lab Digital Currency Initiative, the OMI working group also includes researchers and faculty from University College London and other leading academic institutions. Operational and strategic guidance will be provided by IDEO, the global design and innovation company, and Context Labs, a media tech company that is leading and coordinating the technical platform for the project.